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Dauntless Jock @ Chill out

I recently found this old boys own story book featuring a rather handsome man in the jungle  on the cover with the intriguing title Dauntless Jock
I began to think how I could pose two models of mine Chris and John in dauntless poses and perhaps a little more deeply how I could demonstrate their Dauntlessness
Of course  I couldn't resit a direct reference to my favorite item of male clothing the jock strap - here is John posing against the tiles of St Paul's cathedral !The wonders of technology !
Chris shows his courage in other ways - here he is in the pic entitled Caught Talking Dirty

Come along and see other new works in this series and highlights of other recent exhibitions next Saturday as a part of group show at the Chill out Festival Daylesford


http://chilloutfestival.com.au/event/dirty-talk-by-gallerie-fetiche-3/

warning some of the work by other artists is more explicit than my work

On the nature of sacrifice

Manchester Unity Building Melbourne 
 A friend Will saw my exhibition recently and asked me about the piece Shiralee depicting myself naked carrying a naked black man and referencing the book by D'arcy Niland "Shiralee"



Shiralee refers to a burden or sacrifice one carries - it always appealed to my mother as its seems to be closely  related to the  Irish Catholic tradition of carrying ones cross -as in "We all have Crosses to bear "

In the book it refers to his preschool aged daughter who he takes from her mother when he discovers her adultery. He is an itinerant worker and he takes his swag and his daughter with him on the road. In the novel there is a constant tension between her developing capacity to walk by herself and her need for her father to carry her

Here are the opening lines of the book which are beautifully written


THERE was a man who had a cross and his name was Macauley. He put Australia at his feet, he said, in the only way he knew how. His boots spun the dust from its roads and his body waded its streams. The black lines on the map, and the red, he knew them well. He built his fires in a thousand places and slept on the banks of rivers. The grass grew over his tracks, but he knew where they were when he came again.
He had two swags, one of them with legs and a cabbage-tree hat, and that one was the main difference between him and others who take to the road, following the sun for their bread and butter. Some have dogs. Some have horses. Some have women. And they all have mates and companions, or for this reason and that, all of some use. But with Macauley it was this way: he had a child and the only reason he had it was because he was stuck with it.

Darcy Niland has commented

 "It is a biblical truth that all men have burdens. This is the simple story of a man with a burden, a swagman with his swag, or shiralee, which in this case happens to be a child. I have often thought that if all burdens were examined, they would be found to be like a swagman's shiralee - not only a responsibility and a heavy load, but a shelter, a castle and sometimes a necessity."

Sacrifice is a two edged sword - the one hand it is crippling painful and debilitating on the other it provides meaning and purpose.

These are the words I have imposed on my image


I have been reflecting on the nature of sacrifice  and have come up with five   categories .
These are -
1. sacrifice in caring for  children - of all sacrifices required this is the clearest one - if you are responsible for a child's welfare you have to put them before yourself until they reach maturity . If  you are not up for this sacrifice don't have children . There is a loss involved of freedom and self determination but as an empty nester I can tell you that it is not permanent

2. Sacrifice for a lover - the classic example - two people meet travelling - if they are to stay together there are three options - continue to live away from both sets of friends or family or return to one of the partners country of origin . Either way for the relationship to continue sacrifice is required . In a way its a true sign of love as opposed to mutual convenience - it is the sword hidden in the pinions of love as Kahil Gibrain would say.

However there  is a dark side - in my work as a psychiatric social worker and in my own family I have seen the type of sacrifice that puts up with abusive behaviour -such as suspiciousness or morbid jealousy in order to appease the partner. The price of appeasement is high in terms of physical and mental health and usually the behaviour gets worse

3. Sacrifice for an ageing parent
This is a bit more complex. An ageing parent's circumstances are a consequence of the society they grew up in and the choices they have made. If my mother wont drive because she believes its the role of the husband ( now dead ) how much is it my responsibility to transport her to every family function?
If she behaves in a homophobic and judgemental manner towards me how much do I still have to look after her ?

4. Sacrifice for a completely dependent individual with no capacity to make decisions
The toughest of all this is sacrifice without any rewards or recognition .My intellectually disabled cousin now has dementia and cant recognize anyone . Am I still responsible for his care ? In some ways this a new category of sacrifice made possible by modern medicine which can prolong life regardless of quality

5 The final sacrifice is that involved in the care of the dying - in the case of my father who got ill and died within a week mercifully short


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Magnetic Sympathy


Magnetic sympathy
Reflections on compassion




I have been reading Walt Whitman’s description of his time tending for the civil war wounded and dying here is an extract

..Another thing became clear to me – while cash is not amiss to bring up the rear , tact and magnetic sympathy and unction are, and ever will be , sovereign still ..

The portable Walt Whitman Viking Press pg 453


Yesterday I caught up with Sebastian a friend of my son  who was just back from a few months travelling around the States. He held my hand close to his chest as we talked the pulsating link adding warmth and conviction to our conversation –there was emotional and physical energy being exchanged and for once it was possible to feel this happening in a physical as well as spiritual sense


As  in was reading the Whitman diaries –at the point of tears often – I looked up and saw my Pieta in red and black( modelled by Brett and Ron) with the cross of San Damiano that Lloyd had brought back for me and I realized that I too had a talent for compassion and that I could write about his convincingly because it is what I do and what I have been trained to do.


Red and Black Pieta by Michael O'Hanlon now on exhibition


I thought back on the journals that I must have kept while I was working as a locum social worker in an older persons mental health service and I realized what a rich wellspring they could provide for the characters in my novel.  Eventually I hope that I can remember some of the characters I had helped in my earlier career  people who taught me a lot even as I cared for them


Pieta of the Breast of Man by Michael O'Hanlon  now on exhibition 

the back story "Still life with Monastery Crows"

The piece "Still life with Monastery crows"

sold yesterday to my dear friends Mick and Angela Forbes - I thought I would write the "backstory " (pun intended) for them and also show I construct my work from many diverse sources. In the process I also want to illustrate that  every piece I exhibit is the sum of my skills, cultural history scholarship spiritual life and life experience to date.

Last year I decided to revisit Tarrawarra monastery set in beautiful farmland outside Yarra Glen Victoria- I had last been  there as a  Therry College school boy in the early 70s and have been doing so much religious art thought I should reconnect with its source and my own upbringing.

It was with some trepidation I drove up the long track  to the monastery - I wasn't sure how I would cope with the intense 24 hour cycle of devotions after so any years feeling the weight of catholic disapproval of my gay self
As I drove up the winding hill past the yellow fields flocks of crows rose up   to meet me.
I immediately thought of Van Gogh's images of crows and wheat fields -Van Gogh is my my spiritual father  and mentor and both his art work and writings are intensely moving .  I recognised we were also  a part of a grand european humanist tradition that transcends dogma and  persecution.


The monastery guest house and chapel
http://www.cistercian.org.au/who-we-are/cisterians.htm
are beautiful but very austere - a few very simple beautiful  pieces in the chapel and the guest house is painted in the creams and browns of the cistercian order with  very few concessions to modern technology. The next day after getting up through the night and early morning I went for a walk in the monastery grounds picking figs and arranging them as a still life in my sparsely decorated room


After lunch where we were waited on by the charming and erudite Abbott, Dom David, I went for a long walk in the surrounding fields



The farm is very beautiful









Here are a few pictures that speak for themselves.
As I came up the hill and down past an abandoned railway line I disturbed a flock of crows in some dead trees. A mournful but beautiful scene the basis for this  landscape the Valley of the Crows


The French Connection
Bruno a Frenchman living in Melbourne responded to an advertisement on a dating site looking for models for my art work. Like other of his countrymen he is not prudish about his body and is very literate about all things creative. Here he is posing in my studio.


 At the same time Bruno began modelling for me I began studying the work of the 19th century French artist Gericault. I was particularly impressed by two works - the Raft of the Medusa  and this portrait of his friend. I love the dramatic lighting and colouring of the Raft of the Medusa as well as its strategic use of male nakedness and I like the simple colouring of the portrait of his friend ( also thought to  be the model for the naked figure in the left foreground of the raft picture )



 I asked Bruno to pose for me with a balloon back chair, a family heirloom I have placed in my studio that is ideal for more formal portraiture work
Here are some images from that shoot in the form of a proof sheet I use to select the most promising images.
 I finally chose a full back view as I have also been exploring the concept of the human skin as a canvas on which to project images principally through my Man of Flowers series . In looking at my online discourse with people who follow my work on deviant art I remember that it was also influenced by my taste in erotica -men at play -a site which depicts men informal wear in various stage of undress and sexual congress

I used a couple of on-line editing packages such as Picassa and Pic Monkey to merge the various elements of the picture and give a suitably gothic feel including a program which replicates daguerreotypes 

So when an artist asks you to part with hundreds of your hard earned dollars to purchase his or her work be aware of the intense thought visual literacy sensual and spiritual effort that goes into his or her best work 

Midsumma Opening and a Sale in sunny Altona

A sunny afternoon at Altona beach today for the launch of the midsumma "Textures of Compassion "
 It was terrific to catch up with local MP Colleen Hartland an old friend from environment action days and Cr Tony Briffa gave a great speech





It was great to welcome old and new friends and as to have the support of Jill Kim and her team and to cap off the day off old friends Mick and Angela brought "Still life with monastery crows" one of the very few pieces I have produced in sepia.
 I will be at the gallery tomorrow and next weekend - text me if you want to be sure I will be there

Installation Countdown and publicity

Great day today with my friend John Attard installing the exhibition at the  Louis Joel Gallery  amongst the poignant AIDS quilts - John is an exacting curator and the end result is truly beautiful, plus Jill Kim and the gang made us feel part of the team
The gallery received over 17 enquiries about the exhibition since the article was published yesterday.




 Joan Kirner has today confirmed she will be coming, Zoran and his dad have done a beautiful job on the framing and all is looking extremely promising for the opening of the show this Sunday at 2pm.
Hope to see you there x Michael

Textures of Compassion Sexy Manly don't miss it

a new show coming up Sunday 27th January as a part of Midsumma and Gowest

http://www.midsumma.org.au/event/aids-quilt-and-exhibition
 at the Joel Gallery Altona

Theme is Textures of Compassion to match the launch of the AIDS quilts in the West and the show will include several Pietas featuring gay men in tender embrace including the artist !
 plus painting and  jewellery from other local queer artists !
I will also be minding  the gallery at other times:contact me on eurekacommunity@gmail.com to arrange a time